|
The man who drank several pints of carrot juice a day turned orange. He died, as did the man who invented lifestyle jogging. Time runs away like water flowing from a clock the history man paraphrased plugging into me as if I could save him the trouble or because of it.
Every staff room has a mug which says It’s only the tension that’s holding me together and today I thought Chris was on speed because he didn’t stop speaking for hours as if silence meant uselessness or death. Those ducklings I spotted were getting nowhere going hell for leather against a strong current; we go to the pub,
get lashed, off our faces, out of it. We will not be able to run fast enough; endings begin in the gym or a pool of vomit. If happiness were a club I think, then somehow it’s too forced or convoluted an idea so I reach for the cartoon mallet, whap, that’s better.
This morning at 8 am the regulars on the park bench were tucking in to oblivion; I could taste it, and felt superior, brighter, for a clean millisecond. When asked what’s your poison I never say cocodomol although I can see the attraction.
Promise
I’ve found it helps to carry an egg in my pocket. In the past I tried using stones, and lay amphetamine-eyed on the river bed in a suitably heavy coat. I believe I was waiting for obduracy to change colour, texture, or shape, but it didn’t. Why this surprises me is another mystery.
Poor Arabella. She put an egg down her blouse. It could only end in tears, although it was an option I often considered, like the dream of removing the egg from the dark on my hip to find the shell had turned lavender, pink, or transparent, and whether it was even there when I didn’t actually have my hand on it.
Sometimes my fingertips feel a contained world moving slow as ocean beneath finite sky. It is happiness, or misapprehension no-one can fault. And when blizzards come, or drought which threatens to crack the surface of what I call ‘getting on with it’, my hand checks back in, okay, and it is.
Ethos
Spotless matrix of magnolia sunshine where frogs rain down upon sad, wide-eyed men and black leather’s post-anti-fashion.
The music goes back, back and forth to split, peel, manifest hybrids; goes back to the start, piano or three chord guitar.
Irony is passé rather than passive, and shock well-timed, or malleable. The question is muted by degree, palate, image.
Mistakes don’t happen in a vacuum. Culture’s stuffed with and without us; no sense but in reference.
So, and so
How important it is for you to see me shave my legs or dance in the front room out of sheer happiness thinking I’m unobserved is a beauty to which I have to trust excusing it intellectually although part of me believes it’s just man stuff.
I do another thing entirely which is not photography but all the same quite obvious e.g. holding your mouth’s shape and the creases of your frown like a remembered scent and your thigh upon mine a line in my head of a poem no-one ever could really write.
|