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Günter Kunert
Northern Summer
Brightness into the night. Enough light to read the paper by. But even the light asks: what is the point of doing this any more? In the middle of a moderate landscape stretching out without mountains clearly more likely to be the home of villages. Now above one of them, late, our central star, quite unnaturally fixed there for collectors of postcards: giant and red. If only there was time for a slower sunset.
(From ‘Fremd daheim’ / 'Foreign at Home', 1990)
Collage
The clocks spun much too fast. A new Antediluvian age has dawned and the darkness is tangible. I can still see myself in the mirror looking at my belly, which is guilty: that’s why I call it “Deathdrum.” While the ages quickly yellow behind my back – the old days like wallpaper – I think of my planetary housemates with leniency. The old mythical creatures are no more the new ones are already like dust to which words speak to no avail.
(From Mein Golem, 1996)
Reading Ovid
There’s a secret resting under every stone. Kept by woodlice, descendants of our ancestors. Successful metamorphoses that Ovid kept quiet about. The Gods, too, have got smaller with time. Some of them now, when they show themselves, are only as big as the span of a hand. They wander across the screens both westwards and eastwards, in no fixed direction and quite lost. But they still rock the structure of the world put together with so much trouble. They look down on me and you, the guardians of the secrets, without their knowledge. Our stony silence is grey and obedient.
(From Nachtvorstellung / 'Evening Performance', 1999)
Copyright © Günter Kunert, 2009 Translation © copyright Alistair Noon, 2009
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