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Robert Sheppard


Mute Piano, Riga

This box could house
A stethoscope or

Paintbrushes its
Leather strap sags

A conspiring smile
Unclip the lid in

A double-thumbed
Ritual of rhyming

Clasps and prop
It open a jack-

In-a-box grin of black
And nicotine octaves

Three there potential
But one key escaped

Gives the game away
A peep-hole to the void

Imagined
Mechanics
beneath

Coal-grained
Half-frozen fingers that

Soothe the smooth keys
And then in a furious

Double-fisted cluster
Rattle them with the

Padding stealth of
Rats upon boards

Stealing moist bread
From mute mouths



Cinna the Poet


He drives into
The roadblock

To the treachery
Of his tongue’s shibboleth

Rain leaves sheen
Beaten gunmetal

Gauze of low cloud
No light to freshen

His image peels
From the shades

They strive to abolish
His name


20 July 2008



Song

for Patricia

Que tal se van d’amor gaban
Nos avem la pes’el coutel

Everything you offer creaks
at my fingers, grips the distance I’m

too hard. The body must be tended
tenderly, a quiet coming

covering your mouth. You
plump me up. You flirt

let the bob and the zip plunge safely
on my face. I lift my

self to my knees to be wrapped
over, fringing, liminal mound.

The veins in your neck tighten
around your teeth, tasting your self.

We wriggle our tongues in each other’s
spilling-over rather than reaching out:

a gentle invasion, the hollow still,
nosing back the sheets to find ourselves

through the mesh. Brushing over
I narrate myself, contract around

your heels making me tip on my toes
ready for spaces within, a face to

fall into, a body wrap. I cannot
see the smile on your face. I

could cry out at this moment large
tight buds for you. A little shudder.

Now you sink, I look at a blind eye.
It looks back, tight with song.


16th July 2005




Women She Tells

Women she tells him
are gaming with this

name that soft palms
proffer

to stimulate their own
under the table

guest. A scene spare-
pricks her consciousness

too long to be perverse. One
undecided finger

doesn’t make her
a man a woman

’s unsure reward or
delirious punishment

to host the celestial bed-
springs! Breasting the hot

gushes she throws herself out
of herself. Gusted.

Displacing
himself, dis-

pleasured, her potent-
ial kick-start-kisses

become his gutsy part. He wants
to want a share involving her

involving her kind
of revolution.

He takes the parts
apart to long

where the longings now belong.
She spoons him into her mouth

with her long finger like like like un-
like the hints and gists

she wants him
to pick up, as he does. Along

the well-licked approaches to
her enshrined sphinx-smile,

her fondest
abuses tempt him

to bug her
automaton drag-kings.

August- September 2004




Copyright © Robert Sheppard, 2009